Marvel has Earth’s Mightiest Heroes in the Avengers, but DC has the Trinity — arguably, the three most important and popular comic book heroes in comic book history.
Superman (Henry Cavill), Batman (Ben Affleck), and Wonder Woman (Gal Gadot) — who made an appearance in Batman v Superman: Dawn of Justice finally join forces with Flash (Ezra Miller), Aquaman (Jason Momoa), and Cyborg (Ray Fisher) to fight cosmic invaders in an action-packed but fluffy movie that ultimately fails to shoulder the momentum of this year’s breakout Wonder Woman film.
With the world in turmoil after Superman’s death, fear has risen to new heights. Who will protect Earth from the incoming alien forces being called by the powerful Mother Boxes?
It’s up to Batman to find out. Traveling the globe as Batman and Bruce Wayne, the Dark Knight hopes to build a superteam to stop the extra-terrestrial Steppenwolf (voiced by Ciarán Hinds) from collecting the boxes into one construct that will redesign Earth into a fiery landscape more fitting for his kind.
Batman’s foes have an existential crisis in his latest outing, The LEGO Batman Movie.
Kicking off with an amazing 10-minute song-and-punch introduction, the LEGO Batman Movie not only features a bevy of villains, known and obscure — Crazy Quilt and Killer Moth! — the movie also treads into interesting meta territory.
After Batman saves another day in Gotham City, he drops a bombshell on the Joker — the Dark Knight doesn’t think the Clown Prince of Crime is his greatest foe.
Teary-eyed, the devastated supervillain escapes and begins work on a new plan to get Batman’s attention.
Meanwhile, Bruce Wayne finds himself torn against a potential love interest and a new commissioner who sees Batman as a problem. Between bouts of love and anger at Commissioner Barbara Gordon’s new plans for the city, Bruce agrees to adopt the orphan Dick Grayson.
Gotham and Gotham Girl have Batman’s respect, but do they have the chops to take over when he’s gone?
Batman #2 drums up an incoming threat that will likely test everyone’s resolve, but we don’t really know exactly what’s coming and to the detriment of the story.
Right now, all we know is that something or someones called the Monster Men are coming, and it’s driving some people crazy. Batman’s handled huge threats before, but it seems like writer Tom King is plotting something huge, though something can be said for speed of the issue’s pacing.
After someone lets Solomon Grundy loose in Gotham City, Batman comes to the rescue. The new Gotham duo, while incredibly powerful, have a lot of learning to do, and both get a taste of that trademark Bat-disapproval — enough to make them both glad they didn’t have to pay their dues as Robins in order to live in Batman’s shadow.
When Bruce goes over tape of the battle, he and Alfred Pennyworth discuss the Dark Knight’s mortality, and it’s apparent that Wayne is coming to grips with being a veteran in the superhero world. He decides to bring the Gotham duo under his wing, so to speak, because necessity demands it.
After Barry Allen tried to prevent his mother’s death, he created an alternate future on the verge of destroying itself. At Thomas Wayne’s behest, Flash went back in time to stop himself, and a new version of the universe was created out of the old that merged the distinct and separate DC, Vertigo, and Wildstorm entities.
Until now, Allen believed he was responsible for the New 52 universe, but a sudden appearance by pre-Flashpoint Wally West trying to escape the Speed Force turns everything on its head.
The reveal — you should read DC Universe: Rebirth #1 if you need a primer — is that someone else existing outside of time and place had a hand in creating this new timeline, bending and removing events, relationships, and key factors in order to keep the heroes weakened.
Flash: Rebirth #1 takes readers through what happened before, during, and after Wally West appeared to Barry, starting with a murder case that reminds Allen of his mother’s death — the very thing that kicked off Flashpoint.
“Every new beginning comes from some other beginning’s end.”
That’s from Semisonic’s Closing Time — a song about leaving comfort zones and returning to stark realities. When Scott Snyder and Greg Capullo formally announced their departure on the Batman series — a partnership and run with an endgame in mind that was so successful, DC pulled out all the stops to keep it going for as long as possible — fans were crushed. It was time to face the inevitable, the reality of a Batman book written and drawn by a new creative team.
And while Capullo has already moved on, Snyder is still with DC and will continue to work on at least one Bat-title, All-Star Batman. In the meantime, and for one more issue, the soon-to-be-former Bat-scribe Snyder puts his flourishing touches on Batman: Rebirth #1, a one-shot co-written with Tom King, the incoming writer tasked with taking Batman into his next chapter.
That next chapter will likely involve incorporating Wally West returning to continuity along with an imminent showdown with the Watchmen. So far, Rebirth is grounds for both a return to form and a potentially epic storyline that will affect all of DC’s titles, henceforth.
Over and over, DC staff sounded like a broken record repeating the words in case you didn’t hear or didn’t want to believe: Rebirth is not a reboot. It’s not. It never was or was intended to be.
Even in his release night appearance on Late Night with Seth Myers, Geoff Johns made it every clear Rebirth was a relaunch and not a reboot.
Nope. Not a reboot. Not at all. A reboot it isn’t.
And once you’ve finished reading Rebirth, you’re inclined to agree because it’s very obvious, and in the best way.
Rebirth is not a reboot. It’s an apology.
After DC tossed away 90% of its continuity for the ill-fated New 52 reboot — Batman and Green Lantern held onto their continuities, though they were weirdly compressed — the publisher brings everything back on track and explains away the inconsistencies of having Batman go through three Robins in the span of five years by putting the blame on — well, someone. I’m not going to go there yet, and if you haven’t read Rebirth, please do yourself a favor and open up the issue because I am going to spoil this story as I am wont to do.
(This is HyperGeeky after all, in case you weren’t paying attention.)
Batman and Superman go toe to toe in an epic match-up that Marvel wished they had the property rights to.
Superman — the all-American superhero who stands for truth, justice, and the American way. The adopted son from Krypton, raised in Kansas, working under the alias of Clark Kent for the fourth estate. So noble.
And the Bat of Gotham — years removed from his best days. Down a sidekick and more cruel than his butler Alfred could even imagine, the Bat has lost a step because he can only manage to hide awkwardly in corners instead of disappear abruptly in the middle of conversations whenever someone turns their back. When he’s not torturing and branding criminals with a bat symbol that’s a death sentence to those who enter prison, Batman chains cars to his Batmobile and goes cruising.
I’ve wrestled with doing a review all day, and I only now could get myself to do one now that I have finally admitted to myself that Batman v Superman is a flawed movie. A terribly flawed movie.
Jim Gordon jumps out of the fire and into the frying pan, so to speak, as he tries to capture Mr. Bloom.
In Batman #44, Gordon was about to be cooked alive, trapped in an industrial furnace firing at 1,000-degrees. Relying on his ability to throw a batarang, Jim makes it out, slightly toasted and a bit worse for the wear. All he has to do now is fend off the remaining members of the Four Fives who immediately overwhelm him.
Sometimes the legend becomes so heavy, it drowns everything else out.
And after 75-plus years of amazing stories, the Batman series must be a challenge for any writer. I imagine the hardest thing about writing a new story is coming up with something that hasn’t been done before or hasn’t been done recently — something exciting that’s bigger and better than anything that’s come before.