Marvel has Earth’s Mightiest Heroes in the Avengers, but DC has the Trinity — arguably, the three most important and popular comic book heroes in comic book history.
Superman (Henry Cavill), Batman (Ben Affleck), and Wonder Woman (Gal Gadot) — who made an appearance in Batman v Superman: Dawn of Justice finally join forces with Flash (Ezra Miller), Aquaman (Jason Momoa), and Cyborg (Ray Fisher) to fight cosmic invaders in an action-packed but fluffy movie that ultimately fails to shoulder the momentum of this year’s breakout Wonder Woman film.
With the world in turmoil after Superman’s death, fear has risen to new heights. Who will protect Earth from the incoming alien forces being called by the powerful Mother Boxes?
It’s up to Batman to find out. Traveling the globe as Batman and Bruce Wayne, the Dark Knight hopes to build a superteam to stop the extra-terrestrial Steppenwolf (voiced by Ciarán Hinds) from collecting the boxes into one construct that will redesign Earth into a fiery landscape more fitting for his kind.
Continue reading “Minor Leagues — Justice League Review”
Thor Odinson (Chris Hemsworth) tries to stop the end of the world in Thor: Ragnarok, a conflicted mess of a film that showcases some of the best that Marvel Studios has to offer along with some of their cringiest.
If you’ve seen the trailers, you have the main gist of it all — Hela (Cate Blanchett), the goddess of death, has come to take her place on the throne of Asgard after Odin’s death releases her from the prison his life-force created.
As Odin’s firstborn, she is the strongest of his children, and she makes her mark within moments by destroying Mjolnir and sending Thor and Loki (Tom Hiddleston) into retreat. As the brothers attempt to teleport back to their homeworld with the help of the Bifröst Bridge, Hela follows them and send them off course.
Hela appears in Asgard, where her claim to the throne hits deaf ears — that’s what happens when an entire era’s history is wiped away or covered up. Viewed as an invading force, Asgard’s army tries to hold her at bay but fails miserably against Odin’s strongest child.
Continue reading “Heavy Metal — Thor: Ragnarok Review”
It only took 35 years for Hollywood to create a sequel to Ridley Scott’s Blade Runner — a critical and commercial failure at launch that eventually turned into one of the most influential culture pieces this side of the 20th century.
Not that we asked for a continuation or a reboot — we all know know how those have turned out. Look at what’s happened to the Alien franchise. See Alien: Covenant review here.
When it was first announced, I had my reservations. Blade Runner is one of my most favorite movies. And while I was resigned to accept the notion that no sequel — spiritual or otherwise — would be as good as the first, news of Denis Villeneuve being attached to direct gave me hope that it could come close.
Continue reading “Ghost in the Machines — Blade Runner 2049 Review”
The battle and escape at Dunkirk was a defining point during the first stages of World War II — it ultimately rallied the British who were at one point considering a conditional surrender to Germany.
The safe return of 330,000 British and allied soldiers with the help of civilian forces spurred a counterpoint to Germany’s blitzkrieg that was pushing its way through Europe with relative ease.
While the film takes place during the harrowing hours before the retreat, Dunkirk isn’t a simple and linear retelling.
It’s a collection of parables that uses the event as a backdrop to explore the paradigm of human existence. Compressing time and space, Dunkirk is a microcosm of chaos, beauty, and the circle of human life.
The movie opens with a literal bang as German soldiers open fire on Allied troops who have, so far, maintained an uneasy and untenable position with their backs to the French oceanside in Dunkirk. A few hundred-thousand troops wait on the beach as, one by one, ships pick up the wounded first.
Continue reading “Life in Three Acts — Dunkirk Review”
Marvel Studios brought home a big prize back in 2015 when they announced they had partnered with Sony Pictures to bring Spider-Man into the MCU. The Internet broke, and hope was renewed that Marvel could one day bring back other franchises sold off to other studios during a time of financial crisis.
As celebration turned into speculation, Marvel explained they weren’t going to explore Spider-Man’s origin story and that his introduction would come in Captain America: Civil War. The cameo was stellar, and the hype for Homecoming (the title, not so much) went through the roof.
The single best decision for the movie was the exclusion of an origin story — which would have made it the third retelling in 15 years. Spider-Man: Homecoming arrives ready to go, and he’s a bit more evolved than any previous version’s first single-movie appearance.
Continue reading “Welcome Back — Spider-Man: Homecoming Review”
Never has an Alien movie felt so rote — so … familiar.
Looking back, each film in the series had something new or original to offer, even if the overall package was hit or miss.
The first two films are considered classics — rightly so and each for varying reasons. The first film, Alien, was a gripping horror movie that gave science fiction movies a new angle. Its sequel, James Cameron’s Aliens, went the more-is-better route, giving audiences a war movie pitting human forces against an overwhelming and superior company of predators.
Subsequent movies weren’t as well-received — Alien 3 went through numerous rewrites, and the final result felt like a letdown in contrast to what could have been. Alien: Resurrection went far into the future with a cloned Ripley and an interesting cast of characters, but it lacked the spirit of previous films.
And the prequel Prometheus tried to expand the lore while exploring religious and moral plot points. Many felt it was too convoluted and messy, while others critiqued it for silly characters who just couldn’t keep themselves from dying.
Continue reading “Diet Alien — Alien: Covenant Review”
The Cap’s out of the bag, and modern history in the Marvel Universe is as it — ahem — should be.
Not that fans are happy with the development. It was one thing to turn Captain America into a Hydra agent. It was another to reveal that the entirety of Marvel Comics history was a lie and that Steve Rogers — along with Hydra — were the true winners of World War II.
Secret Empire #1 takes place about a year after the Captain set off a chain of events that would put Hydra back in control. History books have been fixed, Big Brother is even bigger, and anyone exhibiting any forms of superpowers must register with the government.
Many of Earth’s mightiest heroes are still in space, locked out by a global shield. Those on Earth unwilling to accept the new way of things have either been imprisoned or have been forced into hiding, hoping to maintain some safety from the Dreadnoughts, Hydra’s Sentinel-like robots.
Continue reading “Secret Empire #1 Review”
After the most recent Secret Wars event rewrote Marvel’s comic continuity, the company dropped a major bombshell when it brought Steve Rogers back into mix as Captain America.
For the past several years, Rogers took on a more administrative role after a confrontation with the Iron Nail left his Super-Soldier Serum inert. Working as the Avengers’ mission control leader, Rogers new role capitalized on his tactical prowess while his appointed successor Sam Wilson took on the mantle of Captain America.
With the new continuity firmly planted, Marvel saw fit to return Rogers to his original role and gave him back his superpowers. The company launched another Captain America title, and the first issue set off a huge clamor when it was revealed that Rogers in this current continuity was actually a Hydra agent. In case anyone thought it was some sort of cheap trick or double-screw flash plot twist meant to last a story arc or two, Marvel explained that Kobik — the living Cosmic Cube — had rewritten Rogers’ origin along with many other aspects of the new continuity.
Continue reading “Secret Empire #0 Review”
Interesting how this all came about.
While the X-Men movies have basically been Wolverine-centric, it was X-Men Origins: Wolverine that featured the first onscreen appearance of the Merc With a Mouth — Deadpool — who eventually got his own solo movie that made a strong case for R-rated comic-book flicks.
Studios have traditionally shied away from restricting comic-book movies to adults because of financial reasons — toys, merchandise, and a larger audience filled with teens and children.
Which is, by James Mangold’s admission, why The Wolverine ended so badly — Logan fights a robot samurai and loses his claws, which somehow grow back.
Anyways, for what it’s worth, The Wolverine was better than Origins — though that’s not saying much. Origins was incredibly bad, and if I had to sit through it, I’d want the leaked version stripped of its special effects for educational reasons.
Continue reading “The Deepest Cut — Logan Review”
Batman’s foes have an existential crisis in his latest outing, The LEGO Batman Movie.
Kicking off with an amazing 10-minute song-and-punch introduction, the LEGO Batman Movie not only features a bevy of villains, known and obscure — Crazy Quilt and Killer Moth! — the movie also treads into interesting meta territory.
After Batman saves another day in Gotham City, he drops a bombshell on the Joker — the Dark Knight doesn’t think the Clown Prince of Crime is his greatest foe.
Teary-eyed, the devastated supervillain escapes and begins work on a new plan to get Batman’s attention.
Meanwhile, Bruce Wayne finds himself torn against a potential love interest and a new commissioner who sees Batman as a problem. Between bouts of love and anger at Commissioner Barbara Gordon’s new plans for the city, Bruce agrees to adopt the orphan Dick Grayson.
Continue reading “Family Matters — The LEGO Batman Movie Review”