Never has an Alien movie felt so rote — so … familiar.
Looking back, each film in the series had something new or original to offer, even if the overall package was hit or miss.
The first two films are considered classics — rightly so and each for varying reasons. The first film, Alien, was a gripping horror movie that gave science fiction movies a new angle. Its sequel, James Cameron’s Aliens, went the more-is-better route, giving audiences a war movie pitting human forces against an overwhelming and superior company of predators.
Subsequent movies weren’t as well-received — Alien 3 went through numerous rewrites, and the final result felt like a letdown in contrast to what could have been. Alien: Resurrection went far into the future with a cloned Ripley and an interesting cast of characters, but it lacked the spirit of previous films.
And the prequel Prometheus tried to expand the lore while exploring religious and moral plot points. Many felt it was too convoluted and messy, while others critiqued it for silly characters who just couldn’t keep themselves from dying.
Continue reading “Diet Alien — Alien: Covenant Review”
The Cap’s out of the bag, and modern history in the Marvel Universe is as it — ahem — should be.
Not that fans are happy with the development. It was one thing to turn Captain America into a Hydra agent. It was another to reveal that the entirety of Marvel Comics history was a lie and that Steve Rogers — along with Hydra — were the true winners of World War II.
Secret Empire #1 takes place about a year after the Captain set off a chain of events that would put Hydra back in control. History books have been fixed, Big Brother is even bigger, and anyone exhibiting any forms of superpowers must register with the government.
Many of Earth’s mightiest heroes are still in space, locked out by a global shield. Those on Earth unwilling to accept the new way of things have either been imprisoned or have been forced into hiding, hoping to maintain some safety from the Dreadnoughts, Hydra’s Sentinel-like robots.
Continue reading “Secret Empire #1 Review”
After the most recent Secret Wars event rewrote Marvel’s comic continuity, the company dropped a major bombshell when it brought Steve Rogers back into mix as Captain America.
For the past several years, Rogers took on a more administrative role after a confrontation with the Iron Nail left his Super-Soldier Serum inert. Working as the Avengers’ mission control leader, Rogers new role capitalized on his tactical prowess while his appointed successor Sam Wilson took on the mantle of Captain America.
With the new continuity firmly planted, Marvel saw fit to return Rogers to his original role and gave him back his superpowers. The company launched another Captain America title, and the first issue set off a huge clamor when it was revealed that Rogers in this current continuity was actually a Hydra agent. In case anyone thought it was some sort of cheap trick or double-screw flash plot twist meant to last a story arc or two, Marvel explained that Kobik — the living Cosmic Cube — had rewritten Rogers’ origin along with many other aspects of the new continuity.
Continue reading “Secret Empire #0 Review”
Interesting how this all came about.
While the X-Men movies have basically been Wolverine-centric, it was X-Men Origins: Wolverine that featured the first onscreen appearance of the Merc With a Mouth — Deadpool — who eventually got his own solo movie that made a strong case for R-rated comic-book flicks.
Studios have traditionally shied away from restricting comic-book movies to adults because of financial reasons — toys, merchandise, and a larger audience filled with teens and children.
Which is, by James Mangold’s admission, why The Wolverine ended so badly — Logan fights a robot samurai and loses his claws, which somehow grow back.
Anyways, for what it’s worth, The Wolverine was better than Origins — though that’s not saying much. Origins was incredibly bad, and if I had to sit through it, I’d want the leaked version stripped of its special effects for educational reasons.
Continue reading “The Deepest Cut — Logan Review”
Batman’s foes have an existential crisis in his latest outing, The LEGO Batman Movie.
Kicking off with an amazing 10-minute song-and-punch introduction, the LEGO Batman Movie not only features a bevy of villains, known and obscure — Crazy Quilt and Killer Moth! — the movie also treads into interesting meta territory.
After Batman saves another day in Gotham City, he drops a bombshell on the Joker — the Dark Knight doesn’t think the Clown Prince of Crime is his greatest foe.
Teary-eyed, the devastated supervillain escapes and begins work on a new plan to get Batman’s attention.
Meanwhile, Bruce Wayne finds himself torn against a potential love interest and a new commissioner who sees Batman as a problem. Between bouts of love and anger at Commissioner Barbara Gordon’s new plans for the city, Bruce agrees to adopt the orphan Dick Grayson.
Continue reading “Family Matters — The LEGO Batman Movie Review”
Everything that is wrong with Rogue One: A Star Wars Story can be summed up in one thing.
Well, there are a lot of things wrong with Rogue One: paper-thin characters, a middling pace, a largely forgettable (and, within the mythos, unnecessary) plot.
But the tank – the TX-225w “Occupier” combat assault tank, as Wookiepedia tells me – is the perfect vehicle to address Rogue One’s fundamental problem: a superficial guise and muddled tone.
Because while the film purports to be a gritty war drama – tanks! firefights! no Jedi! – it never fully divorces itself from the character of the rest of the series.
And that has serious repercussions.
Star Wars – despite a misleading title – has never really been about warfare. In the series, wars merely act as backdrop and motivation for the melodramatic blood feuds of space wizards: a former slave is seduced by dark magic and rebels against his mentor (the Prequels); a farmboy learns magic to defeat his fallen father (the Original Trilogy); an orphan scavenger discovers magic and proceeds to beat up some goth kid (The Force Awakens).
The climax of these films usually feature a battle of some kind, yes, but it is the emotionally-charged contest between individuals that form their central focus: Luke vs. Vader (the battle of Yavin), Luke vs. Vader (the occupation of Bespin), Luke vs. Vader vs. Palpatine (the battle of Endor), etc.
Continue reading “A Second Opinion. Rogue One: A Star Wars Story Guest Review”
Before Disney felt it needed to add A Star Wars Story to the title — you know, for all the uninitiated viewers who needed a green light to go buy a ticket — it was just Rogue One, the first of what could be an avalanche of anthology movies set to release as Disney begins its plans to release at least one SW movie per year from here on out.
Apart from the three new episodes, these standalone movies — the next one is a young Han Solo movie for 2018 starring Alden Ehrenreich as Han and Donald Glover as Lando Calrissian — can be viewed either as boons or boondoggles. They are at once many things and nothing — a wasteful cashgrab to extreme purists, an insult to committed followers of the expanded universe, and/or a welcome addition to the family by pretty much everybody else with an open mind.
For the casual fan wondering what the fuss is, Rogue One isn’t a major episode, and Luke Skywalker is nowhere to be found. It does have Darth Vader, and several other cameos, but the focus is on a set of characters who have never been mentioned by name before, and — for all intents and purposes — may never be mentioned in any new movie ever. (Notice I put down “new.”)
So if you have no desire to watch this, but you’re still excited about the Force Awakens and the next two episodes, you won’t miss out on anything critical — though it will ease some of your doubts about the convenient way the plot sort of connects itself. And if you’re partial to the prequels — meesa thinking some of you are — it won’t really change how you feel about those movies.
It will, however, have a profound effect on fans of the original Star Wars movie, the one simply titled Star Wars at its release — it didn’t get the Episode IV or A New Hope subtitle until 1978 or 1981, depending on which source you trust.
Continue reading “Before the New Hope — Rogue One: A Star Wars Story Review”
When I first saw the trailer for Arrival, my mind went immediately to Robert Zemeckis’ Contact, the 1997 movie starring Jodie Foster about a scientist who receives and deciphers alien communication.
In Contact, Foster’s character Dr. Eleanor “Ellie” Ann Arroway fights setback after setback in order to achieve her goal of finally making contact with an unknown alien communicator. When the alien appears as her father, Ellie’s expectation of seeing something radical, different, or monstrous — and by reason a look at the bigger picture of the universe — is washed away by a mirror that points her back to the human race for answers.
In Arrival, Amy Adams stars as renowned linguist Dr. Louise Banks, who becomes a critical asset for the United States government after an alien ship touches down somewhere in Montana. Eleven other ships have landed in various parts of the world creating fear and tension for their hosts, and no one knows whether the aliens have come in peace or to wage war.
Continue reading “Full Circle — Arrival Review”
House meets Inception meets Iron Man in a special effects bonanza that sorts out Stephen Strange’s mystical origin story for the silver screen as he goes from world-renowned surgeon to universally known sorcerer.
As one of the Avengers most powerful members, Dr. Strange exists in the comics as Earth’s protector against threats that transcend the physical. Wielding the Eye of Agamotto, Strange basically has a limitless array of powers at his disposal to go along with his masterful intellect.
In his cinematic debut, Strange is more or less the same character — changes were made to make him fit in line with the impending Infinity War. We’re introduced to the character at the height of his arrogance as he pokes fun at public health care, sorts through a drawer full of high-end watches to fit his tux for a speaking engagement, and handpicks his next surgery case.
A strange x-ray keeps his attention too long while he speeds along a coastal cliff in his Lamborghini. He sideswipes another vehicle which sends him spinning through the air and down the face of the cliff until the car face plants into a watery ditch. Strange wakes up in a public hospital with his hands stitched up and filled with pins. He doesn’t need a second opinion to tell him he will never perform another surgery again.
Continue reading “Full Rotation — Doctor Strange Review”
Every year, a new Call of Duty game for the masses. The multi-billion dollar franchise has sold millions upon millions of copies all over the world, has a competitive and dedicated fanbase, and continues to up the ante with each new sequel.
Every week on Geekology, I take a closer look at what’s happening in the geek world. The opinions expressed in Geekology articles are mine and mine alone. Blame me, everyone. Blame me.
The Call of Duty Endowment
It’s like clockwork.
A new year, a new Call of Duty.
With Infinite Warfare, the franchise heads above and beyond to space, and special editions come bundled with a remastered version of its most lauded game — the venerated Modern Warfare.
Continue reading “Answer the Call”