When an argument divides the Underground, will hope survive?
Now that Rick Jones’ cellphone has been decrypted, the Underground hears out what he found out about Steve Rogers and the Cosmic Cube that rewrote history. By gathering the pieces of the Cube, which have been scattered all over the planet, our heroes can restore history and return Captain America to the man he once was.
But they’ll have to beat Rogers to it. Sitting atop his throne, Captain America believes he can bring back the dead and set things right — his way of right — by restoring the Cube and using its power to make the world a better place according to Hydra’s precepts. Rogers orders Baron Zemo to scour the Earth and retrieve the fragments, no matter the cost — foreshadowing all sorts of things to come.
With the search begun, both sides now face a clock. Natasha Romanoff has her own ideas on how to stop Rogers, and it means assassinating him. Spider-Man Miles Morales joins her, accepting whatever fate may come. In case you missed it — Back in Civil War II, a vision of Morales standing over a dead Captain America left Miles and the Avengers team shaken and in disbelief. Morales knows he’s no killer, but he’s ready to see what the future holds.
The Cap’s out of the bag, and modern history in the Marvel Universe is as it — ahem — should be.
Not that fans are happy with the development. It was one thing to turn Captain America into a Hydra agent. It was another to reveal that the entirety of Marvel Comics history was a lie and that Steve Rogers — along with Hydra — were the true winners of World War II.
Secret Empire #1 takes place about a year after the Captain set off a chain of events that would put Hydra back in control. History books have been fixed, Big Brother is even bigger, and anyone exhibiting any forms of superpowers must register with the government.
Many of Earth’s mightiest heroes are still in space, locked out by a global shield. Those on Earth unwilling to accept the new way of things have either been imprisoned or have been forced into hiding, hoping to maintain some safety from the Dreadnoughts, Hydra’s Sentinel-like robots.
After the most recent Secret Wars event rewrote Marvel’s comic continuity, the company dropped a major bombshell when it brought Steve Rogers back into mix as Captain America.
For the past several years, Rogers took on a more administrative role after a confrontation with the Iron Nail left his Super-Soldier Serum inert. Working as the Avengers’ mission control leader, Rogers new role capitalized on his tactical prowess while his appointed successor Sam Wilson took on the mantle of Captain America.
With the new continuity firmly planted, Marvel saw fit to return Rogers to his original role and gave him back his superpowers. The company launched another Captain America title, and the first issue set off a huge clamor when it was revealed that Rogers in this current continuity was actually a Hydra agent. In case anyone thought it was some sort of cheap trick or double-screw flash plot twist meant to last a story arc or two, Marvel explained that Kobik — the living Cosmic Cube — had rewritten Rogers’ origin along with many other aspects of the new continuity.
Gotham and Gotham Girl have Batman’s respect, but do they have the chops to take over when he’s gone?
Batman #2 drums up an incoming threat that will likely test everyone’s resolve, but we don’t really know exactly what’s coming and to the detriment of the story.
Right now, all we know is that something or someones called the Monster Men are coming, and it’s driving some people crazy. Batman’s handled huge threats before, but it seems like writer Tom King is plotting something huge, though something can be said for speed of the issue’s pacing.
After someone lets Solomon Grundy loose in Gotham City, Batman comes to the rescue. The new Gotham duo, while incredibly powerful, have a lot of learning to do, and both get a taste of that trademark Bat-disapproval — enough to make them both glad they didn’t have to pay their dues as Robins in order to live in Batman’s shadow.
When Bruce goes over tape of the battle, he and Alfred Pennyworth discuss the Dark Knight’s mortality, and it’s apparent that Wayne is coming to grips with being a veteran in the superhero world. He decides to bring the Gotham duo under his wing, so to speak, because necessity demands it.
If you’re wondering if an all-ages comic starring a cast of fruits and a flying slug-type monster might be up your alley, you might find yourself pleasantly surprised after reading Fwendly Fwuit – Winter Wonders.
The series — with two one-shots in print and digital form — features a strawberry and a banana who “become best friends and go on adventures together.”
In Winter Wonders, Bawana and Stawberry (cute, huh?) celebrate Wonder Day — their universe’s version of Christmas. Waking up and finding presents under the tree, the BFFs tire themselves out with their new toys.
Meanwhile, a mysterious figure appears in the snowy mountain, and Pip Squeak decides to investigate.
Pip meets Kuppy, a long-armed snowball (or shaved-ice creature) with long arms who rides the aforementioned giant flying slug-like creature named Sloogie. Kuppy lost his friend in the desert during a game of hide-and-seek, and now he needs help.
Pip Squeak recruits Bawana and Stawberry who bring Melon into the mix. They take the Space Melon Wagon to the dangerous desert for a rescue mission that could end their adorable little lives.
The Superman of the New 52 has passed, and the original Superman takes his place in the first issue ongoing issue of the Rebirth relaunch.
During a visit to his alternate-timeline-self’s grave, Clark Kent bids farewell and takes up the mantle of the world’s greatest superhero.
The family has moved from Salinas, California, to a farm in Hamilton County, 300 miles north of Metropolis. Taking a new surname — the Smiths — the former-Kents try to live a life as normal as possible.
Things take a turn after a thunderstorm sends a bolt of lightning which lights the barn on fire.
Jon Kent becomes the lens through which we see the story for issue #1. Before they rebuild the barn, Clark sends his son to fill the corn harvester with gas, but Jon returns from his chores without his cat Goldie. Out in the fields, a hawk captured Goldie in its talons, causing Jon to shoot it down with eyebeams.
Tony Stark infiltrates New Attilan, setting off even more conflict in Civil War II #2.
Having losing best friend James Rhodes (War Machine) last issue, Stark kidnaps Ulysses from his new home to learn more about the young man’s supposed ability to see visions of the future.
While he studies and interrogates the boy, the Inhumans respond by following an enraged Karnak to Stark Tower. Captain Marvel and the Ultimates arrive with Maria Hill to defuse the situation. Together, they find Tony and Ulysses after the former has finished downloading a copy of latter’s brain for study.
Though you could chalk up Tony’s response to his best friend dying as something in between impulsive and insane, the issue never really gives the normally rational man a really good reason for infiltrating a sovereign country and kidnapping one of its citizens. While it’s clear that Tony wants to study Ulysses’ brain and precog abilities, it’s not like the Inhumans were against any sort of rational measure. It’s actually pretty clear that Medusa — having caught Tony in the kidnapping act — seems like she’s willing to help. When Tony refuses to go home, things escalate, turning a shaky situation into full-blown war.
Five years ago, the New 52 exploded onto shelves, and Batman #1 became a runaway bestseller partly because it was the first time the Batman title had a #1 since the first volume launched way back in 1940.
Every issue of the second volume then went on to sell quite well. Many of them landed somewhere in the top-ten each month on the sales charts competing well against #1s and big issues from the other publishers.
And now, as we say goodbye to the creative team of old, we are now in the thick of things with a brand new team for a brand new launch.
And — so far — it happens to be very, very good.
I wouldn’t say great. Not yet. The rebirthed Batman #1 is a solid book that’s on to something, but I’ll keep myself from jumping completely overboard until I see more of what the current team does with the title.
After Barry Allen tried to prevent his mother’s death, he created an alternate future on the verge of destroying itself. At Thomas Wayne’s behest, Flash went back in time to stop himself, and a new version of the universe was created out of the old that merged the distinct and separate DC, Vertigo, and Wildstorm entities.
Until now, Allen believed he was responsible for the New 52 universe, but a sudden appearance by pre-Flashpoint Wally West trying to escape the Speed Force turns everything on its head.
The reveal — you should read DC Universe: Rebirth #1 if you need a primer — is that someone else existing outside of time and place had a hand in creating this new timeline, bending and removing events, relationships, and key factors in order to keep the heroes weakened.
Flash: Rebirth #1 takes readers through what happened before, during, and after Wally West appeared to Barry, starting with a murder case that reminds Allen of his mother’s death — the very thing that kicked off Flashpoint.
The New 52’s Wonder Woman #1 was met with plenty of controversy when her origin story was revealed to be a lie — instead of being molded out of clay, Diana Prince was revealed to be a daughter of Zeus.
The lie was created to protect her from Hera’s wrath, which gave her all the motivation she needed to protect Zora’s unborn child who was also being hunted down by Hera.
With Rebirth in full swing, Wonder Woman thinks upon the memories now returning to her mind and considers the truth of her creation. Using the Lasso of Truth on herself, she reveals to herself that she has been deceived.
It’s unknown who or what is in control over Diana Prince at the moment, but it’s powerful enough that when she teleports to Olympus, she arrives in a familiar but strange place.
Wonder Woman: Rebirth #1 doesn’t give much away, but it’s a sneak peek at what’s to come. With famed author Greg Rucka back on the title and artist Liam Sharp providing interiors, the future of Wonder Woman looks bright even if her journey will take her to some dark places.
Rucka’s point of entry examines the essence of Wonder Woman — the character acknowledges the word wonder may have once meant awe, but things have changed.