Wonder Woman returned to the big screen, and many little ones, on Christmas Day.
After announcing that their 2021 slate of movies would have same-day release dates for theaters and its HBO Max streaming service, Warner Bros. also gave fans stuck at home during shelter-in-place orders something else to look forward to during the holiday season.
Gal Gadot reprises her role as Diana Prince/Wonder Woman, an Amazonian created by Zeus to protect humanity.
Set 66 years after she fought in World War I, the sequel reintroduces us to Diana Prince who now works as a curator for the Smithsonian Museum. Prince has managed to reinvent herself and keep her superhero identity a secret throughout the decades, though it’s becoming increasingly difficult thanks to technology.
Over and over, DC staff sounded like a broken record repeating the words in case you didn’t hear or didn’t want to believe: Rebirth is not a reboot. It’s not. It never was or was intended to be.
Even in his release night appearance on Late Night with Seth Myers, Geoff Johns made it every clear Rebirth was a relaunch and not a reboot.
Nope. Not a reboot. Not at all. A reboot it isn’t.
And once you’ve finished reading Rebirth, you’re inclined to agree because it’s very obvious, and in the best way.
Rebirth is not a reboot. It’s an apology.
After DC tossed away 90% of its continuity for the ill-fated New 52 reboot — Batman and Green Lantern held onto their continuities, though they were weirdly compressed — the publisher brings everything back on track and explains away the inconsistencies of having Batman go through three Robins in the span of five years by putting the blame on — well, someone. I’m not going to go there yet, and if you haven’t read Rebirth, please do yourself a favor and open up the issue because I am going to spoil this story as I am wont to do.
(This is HyperGeeky after all, in case you weren’t paying attention.)