Ghost in the Machines — Blade Runner 2049 Review

Ghost in the Machines — Blade Runner 2049 Review

It only took 35 years for Hollywood to create a sequel to Ridley Scott’s Blade Runner — a critical and commercial failure at launch that eventually turned into one of the most influential culture pieces this side of the 20th century. 

Not that we asked for a continuation or a reboot — we all know know how those have turned out. Look at what’s happened to the Alien franchise. See Alien: Covenant review here

When it was first announced, I had my reservations. Blade Runner is one of my most favorite movies. And while I was resigned to accept the notion that no sequel — spiritual or otherwise — would be as good as the first, news of Denis Villeneuve being attached to direct gave me hope that it could come close. 

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Full Circle — Arrival Review

Full Circle — Arrival Review
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When I first saw the trailer for Arrival, my mind went immediately to Robert Zemeckis’ Contact, the 1997 movie starring Jodie Foster about a scientist who receives and deciphers alien communication.

In Contact, Foster’s character Dr. Eleanor “Ellie” Ann Arroway fights setback after setback in order to achieve her goal of finally making contact with an unknown alien communicator. When the alien appears as her father, Ellie’s expectation of seeing something radical, different, or monstrous — and by reason a look at the bigger picture of the universe — is washed away by a mirror that points her back to the human race for answers.

In Arrival, Amy Adams stars as renowned linguist Dr. Louise Banks, who becomes a critical asset for the United States government after an alien ship touches down somewhere in Montana. Eleven other ships have landed in various parts of the world creating fear and tension for their hosts, and no one knows whether the aliens have come in peace or to wage war.

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