When an argument divides the Underground, will hope survive?
Now that Rick Jones’ cellphone has been decrypted, the Underground hears out what he found out about Steve Rogers and the Cosmic Cube that rewrote history. By gathering the pieces of the Cube, which have been scattered all over the planet, our heroes can restore history and return Captain America to the man he once was.
But they’ll have to beat Rogers to it. Sitting atop his throne, Captain America believes he can bring back the dead and set things right — his way of right — by restoring the Cube and using its power to make the world a better place according to Hydra’s precepts. Rogers orders Baron Zemo to scour the Earth and retrieve the fragments, no matter the cost — foreshadowing all sorts of things to come.
With the search begun, both sides now face a clock. Natasha Romanoff has her own ideas on how to stop Rogers, and it means assassinating him. Spider-Man Miles Morales joins her, accepting whatever fate may come. In case you missed it — Back in Civil War II, a vision of Morales standing over a dead Captain America left Miles and the Avengers team shaken and in disbelief. Morales knows he’s no killer, but he’s ready to see what the future holds.
Continue reading “Secret Empire #2 Review”
Never has an Alien movie felt so rote — so … familiar.
Looking back, each film in the series had something new or original to offer, even if the overall package was hit or miss.
The first two films are considered classics — rightly so and each for varying reasons. The first film, Alien, was a gripping horror movie that gave science fiction movies a new angle. Its sequel, James Cameron’s Aliens, went the more-is-better route, giving audiences a war movie pitting human forces against an overwhelming and superior company of predators.
Subsequent movies weren’t as well-received — Alien 3 went through numerous rewrites, and the final result felt like a letdown in contrast to what could have been. Alien: Resurrection went far into the future with a cloned Ripley and an interesting cast of characters, but it lacked the spirit of previous films.
And the prequel Prometheus tried to expand the lore while exploring religious and moral plot points. Many felt it was too convoluted and messy, while others critiqued it for silly characters who just couldn’t keep themselves from dying.
Continue reading “Diet Alien — Alien: Covenant Review”
The first Guardians of the Galaxy was a huge success for Marvel, and I’m not just talking about box office receipts.
Naysayers worried about “the big risk” of making a movie with a talking raccoon and his companion, a talking tree with only one scripted line. It was the comic-book movie projected it to fail — a potentially huge failure to launch that had Hollywood analysts holding their heads in fear of the impending collapse of Marvel Studios’ cinematic universe.
But Guardians of the Galaxy soared despite being one of Marvel’s lesser-known comic book titles, and viewers were treated to the best Star Wars movie of this generation (Rogue One included). That raccoon and talking tree became the talk of the town, and merchandise sales added more to Disney’s coffers. A sequel was inevitable — failure, or no — and thanks to the successes of the first, the onus to get audiences to buy in has been tabled and replaced with the freedom to build up and off characters, settings, and major threats.
Guardians of the Galaxy vol. 2 kicks off just as Peter Quill, aka Star-Lord (Chris Pratt), and company get ready to fulfill their latest job — inter-dimensional pest-control. Buoyed by their success in taking out Rohan the Accuser, the team has become the go-to group for solving galaxy-sized problems.
Continue reading “Sophomore Slump — Guardians of the Galaxy Vol. 2 Review”
In the world of comics, Wonder Woman is no throw-away hero.
First appearing in comics in 1941, Wonder Woman was created by William Moulton Marston, a psychologist who helped invent the polygraph. Marston believed comics had incredible potential in terms of educating children, and he wanted to create a hero with a modus operandi that set him apart from his contemporaries — a hero who would conquer with love.
It was Marston’s wife Elizabeth who said the character should be female, and Marston based Wonder Woman’s physical appearance on his student and other significant other, Olive Byrne.
The rest is history. As part of DC’s famed Trinity, Wonder Woman is on par with Superman and Batman in terms of ability, leadership, and respect. Her comic has been continuously published for more than seven decades — minus a four-month absence — and she just celebrated her 75th anniversary.
So, it’s actually a wonder that it so long for Warner Bros. and DC to bring her to the silver screen. She first appeared in Batman v. Superman: Dawn of Justice, and I thought she was by far the best thing about the movie. Now, in her first solo outing, Wonder Woman gets her chance to show the cinematic world that she deserves her place amongst the World’s Finest.
Continue reading “The Wonders You Can Do — Wonder Woman Review”
The Cap’s out of the bag, and modern history in the Marvel Universe is as it — ahem — should be.
Not that fans are happy with the development. It was one thing to turn Captain America into a Hydra agent. It was another to reveal that the entirety of Marvel Comics history was a lie and that Steve Rogers — along with Hydra — were the true winners of World War II.
Secret Empire #1 takes place about a year after the Captain set off a chain of events that would put Hydra back in control. History books have been fixed, Big Brother is even bigger, and anyone exhibiting any forms of superpowers must register with the government.
Many of Earth’s mightiest heroes are still in space, locked out by a global shield. Those on Earth unwilling to accept the new way of things have either been imprisoned or have been forced into hiding, hoping to maintain some safety from the Dreadnoughts, Hydra’s Sentinel-like robots.
Continue reading “Secret Empire #1 Review”
After the most recent Secret Wars event rewrote Marvel’s comic continuity, the company dropped a major bombshell when it brought Steve Rogers back into mix as Captain America.
For the past several years, Rogers took on a more administrative role after a confrontation with the Iron Nail left his Super-Soldier Serum inert. Working as the Avengers’ mission control leader, Rogers new role capitalized on his tactical prowess while his appointed successor Sam Wilson took on the mantle of Captain America.
With the new continuity firmly planted, Marvel saw fit to return Rogers to his original role and gave him back his superpowers. The company launched another Captain America title, and the first issue set off a huge clamor when it was revealed that Rogers in this current continuity was actually a Hydra agent. In case anyone thought it was some sort of cheap trick or double-screw flash plot twist meant to last a story arc or two, Marvel explained that Kobik — the living Cosmic Cube — had rewritten Rogers’ origin along with many other aspects of the new continuity.
Continue reading “Secret Empire #0 Review”
Interesting how this all came about.
While the X-Men movies have basically been Wolverine-centric, it was X-Men Origins: Wolverine that featured the first onscreen appearance of the Merc With a Mouth — Deadpool — who eventually got his own solo movie that made a strong case for R-rated comic-book flicks.
Studios have traditionally shied away from restricting comic-book movies to adults because of financial reasons — toys, merchandise, and a larger audience filled with teens and children.
Which is, by James Mangold’s admission, why The Wolverine ended so badly — Logan fights a robot samurai and loses his claws, which somehow grow back.
Anyways, for what it’s worth, The Wolverine was better than Origins — though that’s not saying much. Origins was incredibly bad, and if I had to sit through it, I’d want the leaked version stripped of its special effects for educational reasons.
Continue reading “This Cut’s the Deepest — Logan Review”
Batman’s foes have an existential crisis in his latest outing, The LEGO Batman Movie.
Kicking off with an amazing 10-minute song-and-punch introduction, the LEGO Batman Movie not only features a bevy of villains, known and obscure — Crazy Quilt and Killer Moth! — the movie also treads into interesting meta territory.
After Batman saves another day in Gotham City, he drops a bombshell on the Joker — the Dark Knight doesn’t think the Clown Prince of Crime is his greatest foe.
Teary-eyed, the devastated supervillain escapes and begins work on a new plan to get Batman’s attention.
Meanwhile, Bruce Wayne finds himself torn against a potential love interest and a new commissioner who sees Batman as a problem. Between bouts of love and anger at Commissioner Barbara Gordon’s new plans for the city, Bruce agrees to adopt the orphan Dick Grayson.
Continue reading “Batlego — The LEGO Batman Movie Review”
About 10 minutes into La La Land, I started to worry.
Despite a charming opening scene filled with singing and dancing Los Angeles commuters stuck in traffic, I was still waiting for it to become my favorite movie of last year. After winning a ton of Golden Globes, it’s being touted as a frontrunner to win more than just an armful of Academy Awards, and critics — and all my friends — love it.
A few scenes in, I was starting to feel like I was going to be disappointed — that the hype was just too much. Or maybe it’s the whole musical thing — it’s no secret I’m not the biggest fan of the genre.
And then, Ryan Gosling’s Sebastian came home to find his sister had snuck into his apartment. They discussed, they argued — he’s a jazz musician who hasn’t settled into his new home, and he’s got a pile of unpaid bills. He’s got a chip on his shoulder, and he’s obsessed. He hasn’t gotten over being screwed by a former partner who took their jazz bar and turned it into a samba and tapas restaurant.
Samba and tapas.
I was longer just watching La La Land — Sebastian was a mirror or an alternate dimension of myself.
Not that I’ve ever wanted to own a jazz bar, per se, but I have dreams. Had dreams. Dreams that seemed pure and selfless but were essentially a bit selfish as well.
I want to create real music for people who need to hear it.
Continue reading “In Dreams — La La Land Review”
It wasn’t my idea to rent The Secret Life of Pets.
My wife, on a whim, brought it home from a Redbox — she had a coupon for a free movie — and since we don’t watch too many movies together anymore because of our busy schedules, I made it a priority to sit down and be in front of the television while it played.
The trailers for the movie seemed uninspired, filled with tired jokes and boring sight gags. The premise — going behind the veil to see what our pets really do when we’re away — only a hair or two from Toy Story. I planned on doing other things while the movie played.
But let me tell you, I was in for a treat — The Secret Life of Pets isn’t half-bad or slightly bad. It’s actually pretty good — especially if you’re owned by a pet or two.
Continue reading “Puppy Love — The Secret Life of Pets Review”